Home from a weekend with my writing tribe and family -- grasping for a way to bottle up this energy and store it for later days. At this moment, I imagine myself coasting on this energy through the completion of the next several projects I have on the table.
Just a few my take-homes (posted mostly for me to return to and savor on another day):
Performance Art -- The convention featured several examples of poetry as performance. We had some really awesome entertainment. I've gotten much more comfortable as a speaker and presenter over the years, but I am a little surprised at how much this performance aspect appeals to me. I may have to devote a teeny tiny bit of my time to writing poetry and then a teeny tiny bit more time adding a bit more performance to my presentation.
 |
Barry Barnes was a stellar performer. He looked like he was having fun doing it, as well. |
 |
| River Cow Orchestra -- the improvisational nature of this performance absolutely fascinates me. As writers, we are taught to write, write, edit and rewrite. This group would listen to a poet, and on the second read, start playing. It was entirely unscripted. The results were delightful. |
And the award for best workshop... actually, I don't think there could be an award for best workshop. We had a
good variety this year and all were high quality.
Darcy Leech, however, is the one presenter where I honestly could have sat for another hour or two just soaking up her story. It was one of the most engaging and useful workshops about marketing that I have been to in quite some time. I'd like to be a mouse in her pocket for a few days. I look forward to studying her website -- and reading her book!
 |
Darcy Leech was one of the 2016 KAC Convention Workshop Presenters.
|
My good friends, Mike Graves and Wendy Devilbiss were the contest managers this year. It has been a delight to meet with them and work with them on this project over the past year. They did a wonderful job of presenting the awards, as well. And it was so much fun to see so many of my friends have their work acknowledged in the contest. (Full disclosure -- I entered one poem and one prose piece this year -- no winners!)
 |
Wendy Devilbiss - Poetry Manager, Roy J. Beckemery - Poet of the Year, Reaona Hemmingway - Prose Writer of the Year, Mike Graves, Prose Contest Manager. Well deserved awards to our writers of the year. It was good to see these two honored.
|
That message intended just for me... In 15 years as a member of KAC, I believe I have attended 13 conventions. Each year, I have come to expect that at some point during the convention, I will encounter that message that was "just for me." Sometimes it is something in the keynote speech, and sometimes it is something discovered in a workshop. Sometimes it is something found in conversation with another writer at the event. There's always this moment when I think to myself, "THIS is what I came for this year. This is the nugget I've been needing to hear."
This year it happened on Sunday morning. Ann Fell (2x Coffin Award Winner --
Sundrop Sonata in 2016) talked about the process of writing her suspense novel. Her first task was to distinguish the difference between a mystery and a suspense. Ta-da! Bells are ringing. I've been calling my most recent work-in-progress a mystery. Quite clearly, it is a suspense story. I look forward to getting back to it now. In a one-hour presentation, Ann's words opened up for me the problem I was having in completing this novel.
Last, but certainly not least, I was thrilled and delighted that two books near and dear to my heart were awarded the first ever "Looks Like a Million" Book Design Award.
To Leave a Shadow, by Michael D. Graves, was the winner.
MoonStain, poetry by Ronda Miller, received an honorable mention. Both are books I produced as editor and publisher through my very own press,
Meadowlark Books. I was also recognized for 15 years of membership in
Kansas Authors Club and honored with a service award (Thank for the nomination,
Gloria Zachgo!)